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Free for Commercial Use

Sans Superellipse Pedij 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'FF Transit' by FontFont; 'Frutiger Next Paneuropean', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'FreeSet' by ParaType; and 'Parisine Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, chunky, playful, punchy, retro, impact, approachability, simplicity, display emphasis, rounded, soft corners, compact, sturdy, bouncy rhythm.


Free for commercial use
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This typeface uses heavy, compact strokes with broadly rounded corners and squared-off curves, giving many shapes a rounded-rectangle feel. Counters are relatively small and simplified, with smooth, low-modulation joins that keep the texture dense and even. Terminals tend to be blunt and clean rather than tapered, and curved letters (like C, O, S) read as superelliptical forms with a steady, blocky presence. Overall spacing and proportions create a tight, emphatic color suited to short lines and large sizes.

Best suited for display applications where strong presence matters: headlines, posters, brand marks, packaging, and bold signage. It can also work for short UI labels or callouts when a friendly, high-impact voice is desired, especially at larger sizes.

The overall tone is upbeat and approachable, with a bold, cartoon-adjacent sturdiness that feels friendly rather than aggressive. Its rounded geometry and chunky rhythm evoke a retro display sensibility—confident, informal, and attention-grabbing.

The design appears intended to deliver maximum visual impact with soft, approachable geometry—combining dense weight and rounded-rectangle forms to stay legible and charismatic in display settings. It prioritizes a consistent, simplified shape language that reads quickly and feels personable.

The lowercase shows simple, robust constructions with minimal detailing, while the numerals maintain the same rounded, compact logic for strong consistency in headlines. At heavier sizes, the small counters and dense texture can feel intentionally packed, enhancing impact but reducing delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸