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Free for Commercial Use

Solid Bojy 2 is a very light, normal width, medium contrast, italic, normal x-height font.

Keywords: headlines, editorial, posters, branding, album covers, quirky, stylish, avant-garde, playful, fashion-forward, standout texture, expressive italic, graphic contrast, editorial voice, high-slant, monoline, hairline, soft terminals, ink-trap feel.


Free for commercial use
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A highly slanted, monoline italic with an intentionally irregular construction and alternating solid and open forms. Many glyphs use collapsed or filled-in counters, creating bold, droplet-like interior masses that contrast with the surrounding hairline strokes. Curves are smooth and teardrop-shaped, while joins and terminals stay crisp and minimal, giving the design a wiry, drawn look with occasional heavy "ink" moments. Proportions are compact with a steady x-height and a lively, uneven rhythm across the alphabet and figures.

Best suited to short display settings where its irregular rhythm and solid interior shapes can be appreciated—such as magazine headlines, fashion/editorial layouts, posters, and brand marks. It can also work for punchy pull quotes or packaging accents, where the alternating light strokes and dense blobs add recognizable texture without relying on additional ornament.

The overall tone is quirky and fashion-forward, mixing delicate elegance with unexpected blobs of solid black for a cheeky, experimental feel. It reads as contemporary and editorial, with a sense of motion and attitude driven by the strong slant and fluctuating visual density.

The design appears aimed at creating an expressive italic with a signature texture: a hairline structure disrupted by selective counter collapse and solid fills. This produces a memorable, novelty-leaning voice intended to stand out in contemporary graphic design and headline typography.

The filled counters in certain letters and digits create a distinctive texture in words, producing pronounced dark spots that can be used as a deliberate graphic motif. Numerals follow the same approach, combining thin strokes with occasional heavy interior fills, keeping the set visually consistent in both text and display situations.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸