Sans Superellipse Ennep 12 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'PT Filter' by Paavola Type Studio (names referenced only for comparison).
Keywords: ui design, app interfaces, product branding, tech packaging, signage, futuristic, technical, sleek, dynamic, clean, modernization, motion, system feel, tech aesthetic, clarity, rounded corners, superelliptical, oblique, streamlined, geometric.
A geometric sans with a consistent oblique slant and rounded-rectangle (superelliptical) construction throughout. Curves are squarish and controlled rather than circular, with softened corners and largely uniform stroke thickness. Proportions feel horizontally generous, with open apertures and compact interior counters that keep forms crisp at display sizes. Terminals are mostly clean and blunt, and the overall rhythm is even, emphasizing smooth, engineered outlines over calligraphic modulation.
Well suited to interface typography, dashboards, and wayfinding where a contemporary, engineered look is desired. It also works effectively for tech branding, packaging, and short advertising headlines where the oblique stance can add forward momentum. Best used from medium sizes upward to showcase its rounded-square detailing.
The tone is modern and tech-forward, with a streamlined, aerodynamic feel. Its rounded-square geometry suggests contemporary UI, mobility, and product design aesthetics, reading as efficient and slightly futuristic rather than expressive or playful.
The design appears intended to deliver a modern oblique sans built from superelliptical forms, balancing geometric precision with softened corners for a friendly, industrial finish. The goal seems to be a cohesive, system-ready aesthetic that communicates speed, modernity, and clean functionality.
Uppercase forms maintain a stable, constructed presence, while the lowercase shows simple, functional shaping with minimal quirks. Numerals follow the same superelliptical logic, giving figures a cohesive, device-like clarity. The oblique angle is steady across the character set, contributing to a sense of motion without becoming overly stylized.