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Free for Commercial Use

Sans Superellipse Pedor 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Autogate' by Letterhend, 'Beachwood' by Swell Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, athletic, retro, utility, punchy, impact, space saving, bold branding, condensed, blocky, squared, rounded corners, compact.


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This typeface is a condensed, heavy sans with rounded-rectangle construction and softly chamfered corners. Strokes are thick and largely uniform, with tight counters and compact apertures that keep the silhouette dense and steady. Curved letters like C, O, and S resolve into squared bowls, while verticals dominate the rhythm, giving lines a tall, packed texture. Numerals and uppercase forms feel especially sturdy and monolithic, with consistent width economy and a strong, poster-ready presence.

Best suited to display contexts where density and impact are desired, such as posters, headlines, sports and team marks, packaging callouts, and bold signage. It can also work for short subheads and UI labels when a compact, high-visibility voice is needed, but the tight counters suggest avoiding very small sizes for extended reading.

The overall tone is bold and utilitarian, with a sporty, industrial edge. Its compact shapes and squared curves evoke workwear graphics, athletic branding, and retro display lettering, projecting confidence and impact more than delicacy.

The font appears intended as a strong, space-efficient display sans built from rounded-rectangular forms, balancing firmness with softened corners. Its condensed stance and heavy color seem designed to maximize attention and maintain a consistent, blocky rhythm across mixed-case and numerals.

The design favors closed forms and minimal interior space, which increases darkness and cohesion at headline sizes. The rounded-square geometry keeps it friendly enough to avoid harshness, while the condensed proportions emphasize urgency and forward momentum in text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸