Sans Superellipse Otgij 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'FF Sizmo' by FontFont, 'Neusa Neu' by Inhouse Type, 'Anantason Reno' by Jipatype, and 'Mynor' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, ui labels, friendly, modern, sturdy, playful, approachable, softened geometry, high impact, friendly utility, brand distinctiveness, rounded corners, soft terminals, compact counters, blocky, geometric.
A heavy sans with a rounded-rectangle (superellipse) construction throughout, producing squared-off curves and consistently softened corners. Strokes are thick and uniform, with minimal contrast and a compact, efficient rhythm that keeps counters relatively tight. Round letters like O and C feel more boxy than circular, while straight-sided forms (E, F, L, T) maintain crisp edges with rounded joins. The lowercase is simple and sturdy, with short ascenders/descenders and generally closed shapes that read as compact and solid; numerals follow the same rounded-rect geometry and strong, even color.
Best suited for headlines, brand marks, packaging, and short-form messaging where its dense weight and rounded-rect construction can carry personality. It can also work for UI labels and signage-style callouts when you want sturdy readability with a softened, friendly edge, though the compact counters suggest avoiding very small sizes for text-heavy use.
The overall tone is friendly and contemporary, with a robust, almost toy-like solidity created by the softened corners and boxy rounds. It feels confident and practical rather than delicate, leaning toward an approachable tech and product vibe.
The design appears intended to translate geometric, rounded-rectangle forms into a highly legible, impactful sans that stays warm through consistent corner rounding. It prioritizes strong presence and a unified shape system that performs well in contemporary display and product contexts.
Distinctive squared rounds show up clearly in C/O/Q and the bowls of B/P/R, giving the face a recognizable silhouette at display sizes. The set maintains consistent corner radii across curved and rectilinear letters, which reinforces a cohesive, engineered look.