Sans Other Syha 12 is a very light, wide, monoline, upright, normal x-height font visually similar to 'Exabyte' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, tech branding, game ui, sci‑fi titles, techno, futuristic, digital, modular, geometric, interface aesthetic, sci‑fi styling, geometric construction, distinctive display, angular, octagonal, wireframe, schematic, segmented.
A crisp, monoline sans built from straight strokes and sharp corners, with frequent 45° chamfers that create an octagonal, segmented feel. Curves are largely avoided in favor of squared counters and angular joins, giving many glyphs a constructed, wireframe geometry. Spacing and proportions lean open and extended, with tall verticals and wide horizontal reach, while stroke endings stay clean and consistent. The lowercase follows the same modular logic, with single-storey forms and simplified bowls that keep texture even across longer text.
Best suited to display settings where its modular geometry can be appreciated: sci‑fi or tech-themed titles, posters, branding accents, packaging, and interface or game UI labels. It can work for short bursts of text, but the angular detailing favors larger sizes and generous spacing for clarity.
The overall tone is technical and futuristic, reminiscent of digital readouts, sci‑fi interfaces, and schematic lettering. Its sharp, faceted construction feels precise and engineered rather than expressive or calligraphic, creating a cool, synthetic voice.
The design appears intended to translate a minimal stroke weight into a distinctive, constructed voice by using chamfered corners and straight-segment geometry. It prioritizes a consistent, systematized look that evokes digital instrumentation and futuristic signage over conventional neutrality.
Several shapes read as deliberately stylized through segmented diagonals and clipped corners, which strengthens a display personality but can introduce ambiguity between similar forms at smaller sizes. Numerals and capitals share the same angular construction, producing a cohesive, system-like rhythm in headings and short lines.