Sans Other Syha 11 is a very light, wide, monoline, upright, normal x-height font.
Keywords: ui labels, sci‑fi titles, tech branding, posters, headlines, futuristic, techno, digital, geometric, minimal, futurism, systematic geometry, interface clarity, distinctive display, angular, squared, linear, modular, sharp.
A crisp, monoline sans built from rectilinear strokes and chamfered corners, with a predominantly squared skeleton and open, modular construction. Curves are largely replaced by straight segments and beveled joins, creating a faceted outline in letters like O, Q, G, and S. Counters are generous and mostly rectangular, apertures are wide, and terminals are cut flat, reinforcing a clean, schematic rhythm across text. The lowercase follows the same engineered geometry, with simple, single-storey forms and minimal differentiation between stroke endings, while numerals echo the same angled, segmented logic.
This style suits interface labeling, dashboards, and product graphics where a futuristic, engineered voice is desired. It also works well for headlines, posters, and title treatments in science-fiction, gaming, and technology contexts, as well as for logos that benefit from a geometric, modular signature.
The overall tone is sleek and technical, evoking digital interfaces, sci‑fi labeling, and industrial signage. Its angular construction and disciplined repetition give it a cool, precise feel that reads as modern and system-like rather than conversational or traditional.
The design appears intended to translate a grid-and-chamfer construction into a readable sans, prioritizing a consistent, technical silhouette and a distinctive sci‑fi flavor. By minimizing curves and relying on straight segments and beveled corners, it aims to feel precise and contemporary while maintaining straightforward text setting.
Distinctive chamfers and straightened bowls create strong letterform identity, especially in rounded characters, while the simplified joins in m/n/u/w and the segmented diagonals in k/x/z emphasize a constructed, grid-based aesthetic. At smaller sizes, the thin strokes and open shapes help clarity, but the unconventional geometry becomes the primary stylistic signal.