Print Gabij 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bergk' by Designova, 'Astern Shade' by Edignwn Type, 'Monotage' by Fargun Studio, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, punchy, quirky, friendly, handmade, handmade tone, display impact, casual charm, youthful voice, rounded, soft-edged, chunky, wobbly, cartoonish.
A heavy, compact display face with simplified, hand-drawn construction and soft, rounded terminals. Strokes are broadly even with slightly irregular contours, giving the letters a stamped/inked feel rather than geometric precision. Counters are small and often asymmetrical, and several forms show subtle wobble and swelling that reinforces the handmade rhythm. Overall spacing reads tight and blocky, with short extenders and sturdy silhouettes that prioritize impact over refinement.
Best suited to short, high-impact settings such as headlines, posters, playful branding, packaging, and merchandise graphics. It also fits children’s materials, comic-style callouts, and craft-themed projects where a friendly handmade voice is desirable. Use more generous sizing and line spacing to keep interior shapes from closing up in longer text.
The font conveys an upbeat, informal tone—cheerful and a little mischievous. Its chunky shapes and imperfect edges feel approachable and craft-like, suggesting humor and friendliness rather than seriousness. The texture reads like bold marker or cut-paper lettering, which adds personality and a casual energy.
The design appears intended to deliver a bold, hand-rendered look with an intentionally imperfect outline, balancing legibility with a strong, characterful presence. It aims for approachable display typography that feels drawn rather than engineered, emphasizing charm and immediacy.
Capitals and lowercase share a consistent weight and softness, producing strong color in lines of text. The numerals follow the same chunky, rounded logic and hold up well at larger sizes where the irregularities become a feature. At smaller sizes, the tight counters and dense strokes can reduce clarity, especially in letters with enclosed shapes.