Sans Superellipse Jigol 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Benniter' by Azzam Ridhamalik, 'Hanley Pro' by District 62 Studio, 'Dallas Print Shop' by Fenotype, and 'Panton Rust' by Fontfabric (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, merch, playful, rugged, comic, bold, retro, impact, character, signage, display, fun, chunky, angular, faceted, ink-trap like, irregular.
A heavy, blocky sans with rounded-rectangle foundations and conspicuously clipped corners that create a faceted, almost carved silhouette. Strokes stay broadly uniform, but many joins show small notches and cut-ins that resemble ink-trap behavior, giving counters and apertures a chiseled feel. Round letters (O, C, G, Q) read as softened octagons, while verticals and horizontals remain sturdy and slightly irregular in edge rhythm. Lowercase forms are compact and sturdy, with simple single-storey constructions and minimal modulation; spacing appears generous enough for display but with lively, uneven texture in words.
Best suited to short, high-impact settings such as headlines, posters, logo wordmarks, packaging, and merchandise graphics where the faceted corners and chunky forms can be appreciated. It can also work for playful UI labels or section headers when a strong, characterful voice is needed, but it’s less appropriate for long-form reading due to its busy edge texture.
The overall tone is assertive and mischievous—like hand-cut signage or a comic title treatment translated into a geometric, stencil-adjacent system. Its crisp corner cuts add energy and a slightly gritty, streetwise character while keeping the shapes friendly and approachable through rounded outer geometry.
Likely designed to deliver a bold display voice that mixes geometric simplicity with hand-cut character. The consistent chamfered corners and notch-like joins suggest an intention to stay robust at large sizes while injecting attitude and visual grip into otherwise simple sans forms.
Distinctive details include the repeated corner chamfers across the alphabet, a polygonal zero, and angular numerals that maintain the same cut-corner logic. The uppercase reads especially emblematic and poster-ready, while the lowercase introduces a more casual, bouncy cadence that increases the font’s informal feel in longer text.