Sans Faceted Anmu 10 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Bilya Layered' by Cerri Antonio, 'Aftika' and 'Aftika Soft' by Graphite, 'Creata' by Ivan Petrov, and 'Gogh' by Type Forward (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, apparel, industrial, playful, retro, poster, rugged, display impact, geometric styling, rugged texture, retro flavor, logo-ready, faceted, angular, blocky, chiseled, geometric.
This typeface is built from chunky, planar strokes that replace curves with crisp facets, creating a cut-paper or chiseled silhouette. Forms are predominantly geometric with squared terminals and small angled chamfers that keep counters open while maintaining a dense, heavy color. The lowercase shows a tall x-height with compact ascenders/descenders, and the overall rhythm is slightly irregular due to varied character widths and occasional asymmetric joins. Numerals and rounds (O, Q, 0, 8, 9) read as many-sided polygons rather than true circles, reinforcing the hard-edged construction.
Best suited for short, high-impact settings such as headlines, posters, labels, and logo wordmarks where the faceted silhouettes can be appreciated. It can also work for packaging and apparel graphics that benefit from a sturdy, cut-from-material look; for longer text, larger sizes and generous line spacing will help preserve readability.
The faceted construction gives the font a rugged, punchy tone that feels industrial and poster-driven, while the slightly quirky width changes and angular counters add a playful, offbeat character. It reads as bold and attention-grabbing, with a retro sign-painting or cutout-stencil energy rather than a polished corporate neutrality.
The design appears intended to translate a bold sans skeleton into a distinctly planar, faceted voice, prioritizing graphic presence and a recognizable silhouette over smooth curves. Its consistent chamfering and polygonal rounding suggest a deliberate attempt to evoke carved, cut, or machined lettering while remaining friendly enough for display typography.
The heavy weight and tight interior angles can cause counters and small details to fill in at smaller sizes, so spacing and size will strongly influence clarity. The design’s distinctive chamfers are consistent across uppercase, lowercase, and figures, producing a cohesive, intentionally "carved" texture in text lines.