Slab Square Pene 7 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: branding, headlines, packaging, signage, posters, industrial, tech, retro, utilitarian, mechanical, sturdiness, technical tone, geometric clarity, signage utility, squared, slab-serifed, rounded corners, stencil-like, boxy.
A squared slab-serif design with uniform stroke weight and broad proportions. Letterforms are built from straight segments and boxy curves, with gently rounded corners that soften the geometry. Terminals and serifs read as short, flat slabs, creating a steady, engineered rhythm; counters tend toward rectangular and rounded-rectangle shapes (notably in O, Q, and 0). The lowercase keeps compact, sturdy forms with single-storey a and g, a flat-shouldered r, and a narrow, upright t, while numerals follow the same squared, modular construction with open, horizontal joins and rounded corners on 2, 3, 5, and 9.
Well-suited to headlines and short blocks of copy where a sturdy, engineered texture is desirable. It works particularly well for branding in technical, industrial, or retro-futurist contexts, as well as packaging and signage where square geometry and slab finishing help forms stay clear and assertive.
The overall tone is functional and mechanical, blending a no-nonsense industrial feel with a subtle retro-tech character. Its square construction and slab accents suggest engineered signage and equipment labeling, while the rounded corners add approachability without losing the structured, technical voice.
The design appears intended to combine the solidity of slab finishing with a modular, squared construction, yielding a practical face that still feels stylized. Its consistent strokes and rounded-corner geometry point to an aim of creating an industrial-tech voice that remains readable and controlled in use.
The font maintains consistent stroke behavior across caps, lowercase, and figures, producing a crisp, modular texture in text. Wide set widths and squared bowls give it a strong horizontal presence, and the Q’s pronounced tail and the squared, open shapes of S and 2 contribute to a distinctive, slightly display-leaning personality even at paragraph settings.