Print Umnid 2 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, social media, quotes, menus, casual, friendly, lively, handmade, approachable, handwritten feel, casual display, friendly voice, quick gesture, brushy, rounded, loopy, bouncy, informal.
A casual handwritten italic with brush-pen flavor, combining smooth curves with occasional sharp turns and tapered terminals. Strokes show moderate variation and a slightly textured, drawn-by-hand rhythm, with letters leaning forward and sitting on a gently uneven baseline. Counters are generally open and rounded, while joins and cross-strokes feel quick and gestural rather than constructed. The set mixes compact, simple forms with a few loopier shapes (notably in descenders), giving the alphabet a varied, human pace.
This font suits short to medium-length display text where an informal, personal voice is desired—posters, packaging callouts, café menus, invitations, and social graphics. It also works well for headings and pull quotes, especially where a handwritten accent can add friendliness and motion.
The overall tone is upbeat and conversational, like quick marker lettering for notes, menus, or signage. Its forward slant and springy curves add energy, while the rounded forms keep it warm and non-intimidating. The imperfect consistency reads as intentionally handmade, emphasizing personality over formality.
The design appears intended to mimic quick, confident brush handwriting with a consistent forward slant and lively stroke endings. It prioritizes natural gesture and readability at display sizes, aiming for an approachable, contemporary handwritten look that feels spontaneous and human.
Capitals are tall and expressive with simplified, brushy construction that pairs naturally with the lowercase. Descenders on letters like g, j, y add distinctive loops that contribute to the font’s playful rhythm. Numerals match the same handwritten logic, with rounded shapes and slightly irregular widths that help them blend into text rather than feeling mechanically set.