Sans Superellipse Endod 11 is a bold, very wide, low contrast, italic, tall x-height font visually similar to 'FX Ambasans' by Differentialtype, 'Gemsbuck 01' by Studio Fat Cat, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: sports branding, gaming ui, tech headlines, poster titles, product logos, futuristic, techy, sporty, dynamic, assertive, speed emphasis, tech aesthetic, display impact, geometric cohesion, branding focus, rounded corners, oblique, extended, geometric, streamlined.
A slanted, extended sans built from squared-off curves and rounded-rectangle geometry. Strokes are uniformly heavy with minimal contrast, and terminals tend to be clipped or smoothly radiused rather than tapered. Counters are compact and often rectangular/superelliptic, giving letters like O/Q and many numerals a technical, machined feel. Lowercase forms are simplified and sturdy with a tall x-height and short ascenders/descenders, while the uppercase maintains broad, horizontal presence and tight interior spaces for a dense, forward-leaning texture.
Best suited to display settings where speed and a contemporary, technical character are desired: esports and sports identity work, tech or automotive headlines, packaging callouts, and UI/overlay titling. It will be most effective at medium-to-large sizes where its tight counters and dense strokes can remain clear.
The overall tone reads fast, modern, and engineered—evoking motorsport graphics, sci‑fi interfaces, and performance branding. Its oblique stance and squared curves project momentum and confidence, while the rounded corners keep the voice approachable rather than aggressive.
The letterforms appear designed to combine a forward-leaning, high-energy stance with a clean geometric system based on rounded rectangles. The goal seems to be a cohesive, futuristic display sans that feels fast and functional while maintaining smooth, consistent curvature across letters and numerals.
The design keeps a consistent corner radius and a slightly “cut” look in several joins and terminals, which reinforces the technical rhythm. The numerals follow the same rounded-rect logic, with open, squared counters and clear segment-like construction that supports an industrial, display-oriented aesthetic.