Sans Superellipse Vupy 2 is a bold, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, ui display, wayfinding, techy, futuristic, clean, modern, industrial, geometric system, tech branding, high impact, modern clarity, rounded corners, square-oval, geometric, extended, stencil-like.
This typeface is built from rounded-rectangle and superellipse forms, producing square-oval counters and consistently softened corners. Strokes are monolinear with smooth joins, and terminals tend to end in flat, horizontal or vertical cuts rather than angled shears. Proportions are notably extended, with generous interior space and open apertures that keep shapes readable despite the wide footprint. Several glyphs introduce small breaks or inset cuts (notably in letters like Q and some numerals), adding a subtle engineered, modular feel without turning the design into a full stencil.
Best suited for display contexts where width and strong geometry can be a feature: technology branding, product marks, packaging, and bold headline typography. It can also work for UI titles, dashboards, and signage where the rounded-square letterforms read clearly at medium to large sizes and convey a modern, engineered character.
The overall tone feels technological and forward-looking, with a sleek, engineered calm. The rounded-square geometry suggests interface design, hardware labeling, and sci‑fi inspired branding rather than editorial warmth. Its wide stance and soft corners balance friendliness with a distinctly digital, industrial edge.
The design appears intended to translate superellipse-based geometry into a practical, contemporary sans, emphasizing consistent corner radii, open counters, and a streamlined, system-like construction. The occasional cut-ins and breaks read as deliberate details to increase distinctiveness and reinforce a technical, fabricated voice.
The rhythm is highly consistent across the set, with repeated radii and similarly sized counters that create a cohesive texture in words. Round letters lean toward rectangular bowls, while diagonals (e.g., in A, V, W, X) remain crisp and structural, reinforcing a constructed, systemized aesthetic.