Wacky Fymun 2 is a bold, normal width, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, packaging, album covers, playful, glitchy, cutout, retro, quirky, standout display, graphic texture, logo presence, novelty styling, stenciled, notched, segmented, geometric, high-impact.
A heavy, geometric sans with deliberately interrupted strokes: most glyphs feature a consistent horizontal “slice” through the middle that creates a stencil-like break and occasional small wedge notches. Curves are broad and simplified, counters are open and rounded, and terminals are mostly flat, giving the design a solid, poster-friendly silhouette. Proportions feel compact with a large x-height, while letter widths vary noticeably from narrow forms like I and l to wide forms like W and m, producing an uneven, animated rhythm. The split construction introduces internal gaps and misalignments that read as intentional, decorative segmentation rather than conventional stroke modulation.
Well-suited to short, high-impact settings such as posters, headlines, branding marks, packaging, and promotional graphics where the sliced/stencil effect can be appreciated. It can add character to titles or pull quotes, especially in music, events, or playful consumer branding, but is less appropriate for dense body copy due to its intentional interruptions.
The repeated midline cuts and notches give the face a mischievous, “glitched” personality—part playful display type, part cut-paper/label aesthetic. It feels energetic and slightly disruptive, turning ordinary words into graphic shapes with a wink rather than aiming for neutrality or continuous readability.
The design appears intended to be a distinctive display face built around a single, memorable structural gimmick—the midline cut—applied consistently to create a cohesive, graphic system. It prioritizes visual attitude and recognizability over conventional smooth reading, aiming to stand out in branding and headline contexts.
The signature horizontal break is highly consistent across uppercase, lowercase, and numerals, creating a strong identifying motif. At smaller sizes the internal gaps and overlaps may visually fill in or fragment, so the design reads best when given enough size and spacing to let the cut details show.