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Free for Commercial Use
Wacky Fymun 5

Wacky Fymun 5 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Reyhan' by Plantype (names referenced only for comparison).

Keywords: posters, headlines, packaging, album covers, event flyers, playful, quirky, whimsical, retro, standout texture, decorative display, brand character, playful disruption, notched, segmented, stencil-like, mid-century, graphic.


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A decorative sans with a clean, monoline foundation that’s repeatedly interrupted by small, deliberate notches and breaks. Many strokes show a thin “slice” or wedge cutout—often near joints or at mid-stem—creating a segmented, almost stencil-like rhythm without fully separating the forms. Terminals tend to be softly rounded, while key joins and corners are simplified, producing bold, graphic silhouettes. Proportions are fairly even and readable, with open counters and straightforward construction, but the recurring cut-in details add an irregular, handcrafted cadence across letters and figures.

Best used for display typography where the notched details can be appreciated—posters, headlines, packaging, and short brand statements. It can also work for playful editorial accents or pull quotes, but is likely most effective when set with generous size and spacing to preserve the interior cuts and avoid visual clutter.

The repeated cut-and-notch motif gives the face a mischievous, offbeat personality—cheerful and slightly surreal rather than formal. It reads as experimental and kinetic, with a sense of motion created by the recurring “bites” taken out of strokes. Overall, it conveys a lighthearted, novelty tone that feels suited to playful branding and expressive display settings.

The design appears intended to take a familiar, readable sans structure and inject it with a repeatable, signature disruption—using strategic cutouts to create a distinctive texture and memorable voice. The goal seems to be high recognizability and personality in a single style, prioritizing expressive impact over neutrality.

The notch placement is consistent enough to feel systematized, yet varied by glyph, which keeps lines of text lively. At larger sizes the sliced details become a defining texture; at smaller sizes they may read as intentional distress or segmentation, so spacing and size choice will strongly influence clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸