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Free for Commercial Use

Serif Flared Udro 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'EFCO Overhold' by Ephemera Fonts, 'EFCO Osbert' by Ilham Herry, and 'Golden Record' by Mans Greback (names referenced only for comparison).

Keywords: headlines, editorial, book titles, posters, branding, classic, authoritative, bookish, formal, authority, tradition, impact, readability, distinctiveness, bracketed, sculpted, wedge serifs, ink-trap hint, robust.


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A robust serif with sculpted, flared terminals and wedge-like serifs that broaden out from the stems. The letterforms have sturdy, evenly weighted strokes with gentle modulation and compact apertures that keep the texture dark and steady. Bracketing is pronounced, giving joins and serifs a carved, chiseled feel rather than a crisp hairline finish. Uppercase proportions are stately and wide-set, while the lowercase maintains a solid, traditional rhythm with clear bowls and a relatively deep presence on curved forms. Numerals are strong and legible, matching the overall mass and serif treatment for consistent color across mixed text.

It performs well in headlines, book jackets, and editorial layouts where a classic serif voice and strong typographic color are desirable. The sturdy construction and emphatic serifs also suit formal branding, institutional communications, and poster typography that needs to project authority and tradition.

The font conveys a traditional, institutional tone—confident and serious, with a slightly old-world, print-forward character. Its heavy, carved detailing and firm stance suggest credibility and permanence, making it feel suited to established voices rather than playful or minimalist branding.

The design appears intended to modernize a traditional serif voice through flared, sculpted stroke endings and strong bracketing, producing a confident texture that remains readable while feeling distinctive in display use.

Serif treatment and terminal flaring remain consistent across capitals, lowercase, and figures, which helps keep long passages visually uniform. The darker internal spaces and sturdy joins favor stability and presence, particularly at display and headline sizes where the sculpted details read clearly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸