Serif Other Opmim 6 is a light, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, editorial, posters, branding, packaging, elegant, dramatic, whimsical, refined, classic, distinctiveness, display clarity, classic remix, brand voice, flared serifs, high-shouldered, calligraphic, tapered stems, stylized terminals.
A stylized serif with pronounced flared wedge serifs and tapered strokes that create a crisp, sculpted silhouette. The capitals feel wide and statuesque with generous bowls and sharp, triangular finishing, while the lowercase keeps a relatively open structure and a slightly more bookish rhythm. Curves are smooth and clean, but many joins and terminals narrow into pointed, ink-trap–like wedges, producing distinctive internal cut-ins on several letters. Numerals follow the same sharp, flaring logic, with elegant arcs and pointed terminals that emphasize a decorative, display-oriented texture.
Best suited for headlines, titles, and short passages where its wedge-serifs and sculpted terminals can be appreciated. It would work well for editorial display typography, fashion or arts branding, packaging, and poster work that benefits from a refined but distinctive serif voice. For long-form text, it will likely be most comfortable at larger sizes where the decorative cut-ins remain clear without overwhelming the page.
The overall tone is elegant yet theatrical, mixing classical roman cues with a deliberately decorative edge. The sharp wedges and sculpted inktrap-like notches give it a slightly mysterious, boutique feel—refined, but attention-seeking. It reads as cultured and editorial, with a hint of playful eccentricity in the more stylized letters.
The design appears intended to reinterpret a classic serif model with dramatic flared serifs and sharpened terminals, creating a signature texture for display use. Its consistent wedge logic across caps, lowercase, and figures suggests a focus on cohesive branding and memorable typographic color rather than neutrality.
Contrast is expressed less through thick–thin modulation and more through tapering and flaring at terminals, which makes the letterforms feel chiseled. Spacing and counters stay fairly open in the sample text, helping readability at larger sizes, while the distinctive wedge details become the dominant texture as size decreases.