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Serif Forked/Spurred Ilha 2 is a bold, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, book covers, logotypes, vintage, expressive, folksy, decorative, storybook, ornamentation, distinctiveness, retro flavor, headline impact, craft feel, bracketed, spurred, bulbous, soft-angled, high-ink.


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A heavy, display-oriented serif with rounded, swelling strokes and pronounced forked/spurred terminals that give many letters a carved, notched finish. Serifs are bracketed and often flare into blunt wedges or curled tips, creating a rhythmic alternation of thick verticals and scooped joins. Counters are relatively open for the weight, while curves (notably in C, G, S, and the bowls of B/P/R) are full and bulbous. Proportions vary noticeably across the alphabet, with wide rounds and more compact straight-sided forms, producing a lively, uneven texture that reads as intentionally hand-shaped rather than mechanically uniform.

Best suited for short to medium-length display settings such as posters, editorial headlines, book and album covers, and identity marks where the ornate spurs can be appreciated. It can also work for packaging and signage that wants a handcrafted, vintage voice, but it will perform most confidently when set large enough to keep the terminal detailing clear.

The overall tone feels vintage and theatrical, with an old-world, poster-like warmth. The spurred terminals and soft, chiseled edges suggest a nostalgic craft sensibility—playful and slightly quirky rather than formal or academic. It conveys character and charm, suited to attention-grabbing headlines where personality is a feature.

The design appears intended to reinterpret traditional serif construction with exaggerated, forked/spurred terminals and rounded, weighty forms, aiming for a distinctive, period-tinged display texture. Its variable proportions and sculpted edges prioritize personality and recognizability over neutral readability, making it a characterful choice for branding and titling.

Lowercase forms carry a distinctly decorative flavor (especially a, g, y, and t), and the numerals echo the same chunky, curled-terminal logic for cohesive titling. Spacing in the sample text looks generous enough to preserve interior detail, while the heavy silhouettes create strong black shapes at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸