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Serif Forked/Spurred Ridi 3 is a bold, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, book covers, packaging, branding, vintage, storybook, rustic, whimsical, folkloric, ornamental serif, heritage tone, strong silhouette, display impact, bracketed, flared, spurred, ink-trap like, soft corners.


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A compact, heavy serif with softly swelling strokes and distinct spur-like terminals that create a forked, ornamental finish. Serifs are strongly bracketed and often flare into rounded wedges, giving the outlines an inked, slightly blunted look rather than crisp rational geometry. Curves are full and somewhat pinched at joins, with subtle notch-like shaping in interior corners that adds texture and helps preserve counters at heavier sizes. The rhythm is lively and uneven in a deliberate way: widths vary by letter, bowls feel generous, and verticals carry small mid-stem protrusions that reinforce the decorative, carved-wood character.

Best suited to headlines and short passages where its ornamental terminals can be appreciated—posters, book covers, labels/packaging, and brand marks that want a heritage or folk flavor. It can work for brief display copy in print or on screen, but the heavy texture and busy details are likely to feel crowded in long-form reading at small sizes.

The overall tone feels old-world and handcrafted, with a friendly theatricality that reads as vintage and slightly whimsical. Its spurred terminals and softened joins suggest heritage printing, folk signage, or storybook titling rather than contemporary minimalism. The texture is dark and assertive, projecting warmth and personality.

The design appears intended to reinterpret a traditional serif with added spurs and flared terminals, prioritizing character and strong silhouette over neutrality. Its shaping aims to evoke hand-printed or carved lettering, delivering a distinctive, decorative voice for display typography.

In text settings the color is very dense, with strong word shapes and pronounced punctuation forms; the distinctive terminals become a defining motif that can dominate at smaller sizes. The lowercase shows a notably rounded, sturdy construction, while figures match the same chunky, decorative presence for display-oriented numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸