Hollow Other Siro 3 is a bold, normal width, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, album art, event flyers, playful, quirky, retro, spooky, cartoon, novelty, texture, thematic, attention, blobby, hollowed, organic, handmade, inked.
A chunky display face built from rounded, blobby letterforms with irregular hollowed counters and cut-out patches that create a mottled, “ink-pool” interior texture. Strokes are smooth but uneven in distribution, with soft terminals and frequent bulges that make each glyph feel sculpted rather than drawn with a consistent pen. Counters are often partially occluded or split into multiple openings, producing a distinctive hollow/knockout look that remains consistent across caps, lowercase, and numerals. Overall spacing reads slightly loose and the silhouettes are lively, with subtle width differences between characters contributing to an informal rhythm in text.
Best suited for short, attention-grabbing copy such as posters, headlines, product packaging, and themed event graphics. It can work well for playful branding, album/cover art, and seasonal promotions where a textured, hollowed display look is desirable; it is less appropriate for long-form reading at small sizes due to its busy interior detailing.
The font conveys a mischievous, novelty tone—part spooky and gooey, part cheerful and toy-like. Its internal cutouts add visual noise that feels reminiscent of slime, cow-print camouflage, or melted ink, giving it a campy, Halloween-adjacent character without becoming harsh or aggressive.
The design appears intended as a novelty display font that merges heavy, rounded silhouettes with decorative internal knockouts to create instant personality. Its goal is impact and character rather than neutrality, using consistent cut-out patterning to turn each glyph into a textured shape.
In the sample text, the texture becomes a prominent pattern, so the face reads best at display sizes where the cutouts remain clearly legible. Round letters (O, C, G, Q) showcase the hollowed effect strongly, while narrower forms (I, J, l) rely on fewer cutouts and more silhouette to carry recognition.