Sans Superellipse Idniz 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Akkordeon' by Emtype Foundry, 'PODIUM Sharp' and 'PODIUM Soft' by Machalski, and 'Blunt' by Miller Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, industrial, poster-ready, confident, punchy, impact, sturdiness, modern display, compactness, legibility at size, blocky, rounded corners, compact, slab-like terminals, high-impact.
A dense, heavy sans with squared, superellipse-based bowls and systematically rounded corners. Strokes are thick and largely uniform, producing solid, ink-trap-free silhouettes and a strong, poster-friendly color. Curves resolve into rounded-rectangle geometry (notably in O/C/G and the numerals), while many joins and terminals are cut flat, giving a distinctly blocky texture. Counters are relatively tight for the weight, and letterforms favor compact, vertical construction with minimal modulation and broad, stable shoulders.
Best suited to high-impact display roles such as headlines, posters, and bold brand marks where a compact, powerful texture is desirable. It also works well for sports-oriented graphics, packaging fronts, and short signage that benefits from sturdy, simplified shapes. For extended text, it will perform better in short bursts or large sizes where the tight counters and heavy color have room to breathe.
The font projects a tough, no-nonsense tone with a distinctly utilitarian, athletic energy. Its chunky geometry and compressed openings feel assertive and modern, leaning toward scoreboard, packaging, and headline aesthetics rather than delicate or editorial moods.
The design appears intended to deliver maximum visual weight with clean, geometric construction—mixing rounded-rectangle bowls with flat terminals to create a strong, contemporary display voice. It emphasizes solidity and immediacy, aiming for quick recognition and a confident presence in tight layouts.
Uppercase forms read especially sturdy and monolithic, while lowercase retains the same squared-round logic, keeping a consistent rhythm across mixed-case settings. Numerals are similarly compact and bold, with simple interior shapes that prioritize impact over fine detail. The overall texture is even and dark, so spacing and line breaks will strongly influence readability in longer passages.