Sans Superellipse Idrag 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Acumin' by Adobe, 'OL Newsbytes' by Dennis Ortiz-Lopez, 'Akkordeon' by Emtype Foundry, 'CF Blast Gothic' by Fonts.GR, 'Otoiwo Grotesk' by Pepper Type, and 'Lektorat' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, confident, blocky, punchy, industrial, retro, maximum impact, compact density, friendly strength, poster clarity, rounded corners, condensed caps, soft terminals, high impact, sturdy.
A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Curves read as squarish bowls rather than circles, giving letters like O, C, and G a superelliptical feel, while straight strokes stay broad and uniform. The uppercase is tall and tight with minimal interior space, and the lowercase follows a similarly chunky rhythm with simple, sturdy forms (single-storey a, compact e, and a robust g). Numerals are equally dense and vertical, designed for impact more than delicacy, with consistent stroke weight and little modulation.
Best suited to short, high-impact settings such as headlines, posters, branding marks, packaging callouts, and bold signage. It holds up particularly well in all-caps and large numeric treatments where its compact shapes and rounded-rect geometry create a strong, uniform typographic block.
The overall tone is loud and assertive, with a workmanlike solidity that feels simultaneously modern and retro. Its rounded corners keep the voice friendly enough for mainstream display use, but the condensed massing and dense counters communicate urgency and strength.
This design appears aimed at delivering maximum visual weight with a softened, contemporary edge, using rounded-rectangle curves to avoid harshness while maintaining a dense, authoritative presence. The consistent, low-modulation strokes suggest an intention for simple reproduction and strong readability at display sizes.
Spacing appears intentionally tight and the counters are small, so the color on the page becomes a strong, continuous block at headline sizes. The square-leaning curves and broad joins create a cohesive, poster-ready texture, especially in all caps and large numerals.