Print Sobol 6 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: kids, posters, packaging, greeting cards, headlines, playful, friendly, casual, childlike, crafty, approachability, handmade feel, display impact, simple readability, whimsy, rounded, bouncy, chunky, soft, quirky.
A rounded, marker-like handwritten print with thick, soft-ended strokes and gently uneven contours that preserve a drawn-by-hand feel. Letterforms are mostly monoline in impression, with subtle swelling and taper at curves and joins, and a generally open, legible construction. Proportions are slightly irregular across the set, with bouncy baselines and variable glyph widths that add lively rhythm; counters stay generous in key shapes (e.g., O, a, e) despite the heavy stroke. Numerals match the same friendly, simplified geometry with rounded terminals and minimal sharp corners.
Well-suited for playful display typography such as children’s materials, posters, party invitations, greeting cards, product packaging, and short headlines where a friendly handmade voice is desired. It can also work for simple labels or UI accents when used at comfortable sizes with ample spacing.
The font reads as approachable and lighthearted, with a whimsical, kid-friendly tone reminiscent of classroom notes, craft labels, and casual signage. Its softened shapes and buoyant spacing convey warmth and informality rather than precision or formality.
Likely designed to capture the charm of an informal hand-printed marker style—round, bold, and easy to read—while keeping enough irregularity to feel personal and spontaneous. The goal appears to be cheerful display impact with straightforward letter recognition rather than refined typographic neutrality.
Uppercase and lowercase maintain consistent stroke presence and a cohesive hand-rendered texture, while small asymmetries keep it from feeling overly mechanical. The overall color on the page is dark and steady, producing strong visibility at display sizes; at smaller sizes the tightest joins and heavier curves may start to visually fill in.