Sans Contrasted Fiha 1 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: posters, logotypes, headlines, game ui, packaging, retro, arcade, techy, playful, chunky, retro futurism, display impact, ui flavor, brand character, geometric system, rounded corners, stencil-like, squared forms, geometric, compact.
This typeface uses heavy, blocky letterforms built from squared geometry with generously rounded corners and mostly closed counters. Curves are simplified into soft rectangles, with occasional notches and cut-ins that create a subtle stencil-like rhythm in letters such as E, F, G, S, and Z. The proportions lean compact and modular, with consistent cap height and a large, sturdy lowercase that closely echoes the uppercase construction. Numerals follow the same chunky, squared logic, yielding a highly uniform texture and strong silhouette at display sizes.
Best suited to display applications where strong shape recognition and a graphic, retro-tech presence are desirable—such as posters, titles, event branding, game interfaces, and bold packaging. It can work for short bursts of text in interfaces or captions, but it benefits from larger sizes and comfortable tracking to preserve clarity.
The overall tone feels retro-digital and game-like, combining industrial solidity with a friendly, toy-block softness. Its geometric construction and cut-in details suggest sci-fi UI, arcade cabinets, and tech branding, while the rounded corners keep it approachable rather than harsh. The voice is bold, confident, and slightly quirky.
The design appears intended to deliver a modular, futuristic display look with a nod to vintage digital/arcade lettering, prioritizing strong silhouettes and consistent geometric construction. The rounded-square forms and notch details add character while maintaining a cohesive, system-like feel across caps, lowercase, and figures.
Spacing appears designed for dense, impactful setting, creating a dark, continuous typographic color in paragraphs. The simplified internal shapes and small apertures mean the design reads best when given enough size and breathing room, especially in mixed-case text.