Sans Superellipse Onmul 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Aguda' and 'Aguda Stencil' by Graviton, and 'Phatthana' by Jipatype (names referenced only for comparison).
Keywords: ui design, signage, branding, packaging, posters, techy, futuristic, industrial, clean, utilitarian, geometric clarity, tech aesthetic, systematic construction, modern utility, squared, rounded corners, stencil-like, angular, modular.
A geometric sans built from squared forms softened by rounded corners, giving many letters a superellipse/rounded-rectangle skeleton. Strokes are largely even and straightforward, with generous apertures and simplified joins that keep shapes crisp at display sizes. Uppercase forms feel compact and modular (notably in C, G, O, Q), while diagonals in A, K, V, W, X, and Y add sharp contrast to the otherwise orthogonal rhythm. Numerals echo the same rounded-rect geometry, producing a cohesive, engineered look across letters and figures.
Well suited to interface typography, app/embedded screens, and product UI where a clean, technical voice is desired. It also works effectively for signage, labels, packaging, and bold brand wordmarks that benefit from squared, modern shapes. For posters and headlines, the distinctive rounded-rect forms deliver a strong, contemporary presence.
The overall tone is modern and tech-forward, with a controlled, machine-made personality. Its squarish curves and tidy spacing suggest dashboards, devices, and industrial labeling rather than casual or editorial settings. The result feels confident, efficient, and slightly sci‑fi without becoming decorative.
The design appears intended to translate a rounded-rectangle industrial language into a readable, versatile sans, emphasizing consistent geometry and a streamlined silhouette. It prioritizes clarity and cohesion across uppercase, lowercase, and numerals while projecting a modern, engineered character.
Rounded terminals and corners are consistently applied, creating a smooth perimeter even on more angular glyphs. Several characters lean toward a modular construction that can read somewhat condensed in tight settings, while the open counters help maintain clarity in longer lines of text.