Sans Superellipse Fenah 11 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Quantico' by MADType, 'Industria Sans' by Resistenza, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: sports branding, posters, headlines, esports, product packaging, sporty, tech, dynamic, confident, industrial, impact, motion, modern branding, rugged clarity, oblique, squared, rounded, compact, blocky.
A heavy, forward-leaning sans with squared, superelliptical curves and consistently rounded corners. Strokes are uniform and sturdy, with tight apertures and compact interior counters that keep forms dense and punchy. The oblique slant and slightly condensed rhythm create a strong rightward momentum, while flat terminals and boxy bowls (notably in C, G, O, and 0) reinforce a geometric, engineered feel. Numerals and uppercase forms read especially robust, with a utilitarian, display-oriented stance.
This font is well suited to short-to-medium display text where impact and momentum matter: sports identities, event posters, esports teams, tech launches, packaging, and signage. It can also work for UI labels or dashboard-style graphics when a strong, industrial voice is desired, though its dense counters favor larger sizes for best clarity.
The overall tone feels fast, assertive, and performance-driven—more akin to motorsport, athletic branding, and tech hardware than to editorial or literary settings. Its crisp geometry and slanted posture suggest motion, strength, and modernity, with a mildly retro-futurist edge.
The design appears intended to deliver a high-impact oblique sans that stays geometric and compact, pairing rounded-rectangle construction with a muscular silhouette for modern branding. Emphasis is placed on speed and solidity, prioritizing bold presence and clean, engineered shapes over delicate detailing.
Curves tend to resolve into rounded-rectangle shapes rather than true circles, giving the face a distinctive ‘machined’ softness. The lowercase is similarly boxy and compact, and the punctuation visible in the sample (period, apostrophe, ampersand) matches the same blunt, sturdy language.