Sans Superellipse Fedud 17 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Hudson NY Pro' by Arkitype, 'Neuron' and 'Neuron Angled' by Corradine Fonts, and 'Pittsbrook' by Fontdation (names referenced only for comparison).
Keywords: sports branding, headlines, posters, product labeling, ui headers, sporty, futuristic, technical, energetic, assertive, speed emphasis, display impact, modern utility, tech aesthetic, squared-round, forward-leaning, geometric, compact, blocky.
A heavy, forward-slanted sans with a squared-round (superelliptic) construction: bowls and counters read as rounded rectangles, corners are softened, and stroke endings feel clean and mechanical. Curves are taut rather than calligraphic, producing a steady, low-modulation rhythm. Proportions favor strong vertical presence with compact apertures and tight-looking interior space, while diagonals (A, V, W, X, Y) are sharp and sturdy. Numerals echo the same rounded-rect geometry, with an especially boxy, rounded 0 and an angular 2/7 that reinforce the engineered feel.
Best suited to short, high-impact settings such as sports identities, event posters, tech-forward packaging, and strong section headers in interfaces. It will read most confidently at medium-to-large sizes where the squared counters and tight apertures can project as intentional structure rather than texture.
The overall tone is fast and performance-oriented, like equipment labeling and competition graphics. Its crisp geometry and consistent slant suggest modern motion, speed, and control, leaning more high-tech than friendly.
The design appears aimed at delivering a modern, velocity-infused sans for display use, combining robust weight with rounded-rect geometry to balance toughness and polish. The consistent slant and simplified shapes support a clear, contemporary voice built for branding and titling.
Letterforms prioritize simplified silhouettes and consistent corner radii, giving the set a cohesive “machined” look. The italic angle is integral to the design (not merely obliqued), and the round forms maintain their squarish character even in tight counters, which increases punch at display sizes.