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Free for Commercial Use

Solid Fivy 9 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Midnight Wowboy' by Mysterylab, and 'Fatso' and 'McChesney' by T-26 (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, quirky, retro, cartoon, impact, playfulness, novelty, handmade, silhouette-driven, rounded, blobby, soft corners, irregular, compact.


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A heavy, compact display face built from swollen, rounded blocks with softened corners and a deliberately uneven hand-cut feel. Strokes are monolithic and mostly solid, with counters frequently minimized or fully closed, so letters read as bold silhouettes rather than open forms. The rhythm is bouncy and irregular: widths and internal spacing vary noticeably from glyph to glyph, and many joins and terminals show small notches or flattened cuts that add texture. Numerals and punctuation follow the same chunky silhouette logic, emphasizing simple, filled shapes over precision.

Best suited to short, high-impact text such as posters, large headlines, playful branding, product packaging, and logo wordmarks where the solid silhouettes can carry the design. It also works well for stickers, kids-oriented graphics, event promos, and bold social media titles where legibility is supported by size and spacing.

The overall tone is goofy and friendly, with a toy-like, poster-friendly presence. Its closed counters and blobby geometry give it a punchy, attention-grabbing look that feels more comic and crafty than formal or technical.

The design appears intended to deliver maximum visual mass and personality through simplified, mostly solid letterforms and intentionally irregular shaping. It prioritizes expressive silhouette and a handmade, cartoonish texture over conventional counter clarity, aiming for strong display impact.

Because many interior openings are reduced, readability can drop at smaller sizes or in dense paragraphs; it performs best when given air and used as a graphic element. The irregularities appear intentional and consistent, creating a cohesive “cutout” personality across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸