Stencil Gera 7 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, branding, wayfinding, packaging, industrial, technical, signage, sci‑fi, modernist, stencil aesthetic, industrial utility, modern clarity, systematic rhythm, geometric, minimal, high-contrast, modular, crisp.
A geometric sans with clean, monoline strokes and consistent, deliberate breaks that create a stencil rhythm. Curves are broadly circular and open, while verticals read straight and even, giving the design a tidy, engineered structure. Many letters feature a centered interruption—most noticeable in round forms like C, O, Q, and in several lowercase characters—producing strong internal counters and clear segmentation. The overall spacing feels open and the shapes remain simple and legible, with a slightly modular feel from the repeated bridge placement and squared terminals.
Well-suited to display typography where the stencil breaks can function as a defining graphic feature—posters, titles, packaging, and identity systems with an industrial or technical bent. It can also work for signage and environmental graphics, especially at medium-to-large sizes where the bridges stay crisp and intentional.
The repeated mid-stroke breaks evoke industrial labeling and utilitarian hardware aesthetics, lending a technical, manufactured tone. At the same time, the clean geometry and consistent system of cuts suggests a contemporary, slightly futuristic voice suited to modern interfaces and wayfinding.
Designed to deliver a systematic stencil look without sacrificing the clarity of a geometric sans. The consistent bridge placement and restrained forms suggest an intention to feel engineered and contemporary, balancing utility with a distinctive, theme-driven texture.
The stencil cuts are placed with notable regularity, often aligning around the midline, which creates a distinctive visual cadence across words. Numerals maintain the same bridged logic, helping headings and codes feel cohesive. In text, the interruptions remain prominent, so the font reads best when the stencil effect is intended as part of the visual message.