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Sans Other Juduy 4 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Citadina' by Graviton, 'Navine' by OneSevenPointFive, 'Nulato' by Stefan Stoychev, 'Hockeynight Sans' by XTOPH, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, stencil, military, mechanical, utilitarian, stenciled feel, compact impact, graphic texture, signage clarity, angular, condensed, blocky, segmented, high-contrast counters.


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A condensed, all-caps-forward sans with a segmented, stencil-like construction. Strokes are heavy and largely uniform, with frequent vertical cut-ins and horizontal breaks that create a modular rhythm across the alphabet. Curves are squared-off and tightened into rounded-rectangle corners, producing compact counters (notably in O/Q/0 and D). Diagonals in A, K, V, W, X, Y, and Z are sharp and geometric, while terminals are flat and abrupt for a rigid, engineered silhouette.

Best suited to bold, high-impact display use such as posters, headlines, product packaging, warning-style labels, and directional or industrial-themed signage. It works well when you want a strong graphic texture and compact width, but it benefits from generous size and spacing to keep the internal breaks from filling in or competing.

The overall tone feels industrial and authoritative, evoking labeling, equipment markings, and utilitarian signage. The repeated breaks add a tactical, fabricated character that reads as mechanical rather than friendly or conversational.

The design appears intended to merge a condensed grotesque foundation with a deliberate stencil/bridged system, creating a durable, modular look that suggests manufacturing, transport, or military-inspired applications while maintaining a clean sans structure.

Uppercase forms appear especially assertive and uniform, while lowercase follows the same segmented logic, keeping a consistent texture in mixed-case settings. Numerals share the same cut-and-bridge motifs, giving sequences a distinctive, encoded look, though the internal breaks can become visually busy at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸