Sans Superellipse Pinoy 2 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Komu' by DizajnDesign; 'Burger Honren' by IRF Lab Studio; 'Frontage Condensed' by Juri Zaech; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, assertive, condensed, posterlike, modern, space saving, high impact, strong branding, compact headlines, squarish, tight, compact, blocky, clean.
A compact, heavy sans with tightly condensed proportions and a strong vertical rhythm. Strokes are largely even in weight, with rounded-rectangle curves that keep bowls and counters squarish and controlled rather than fully circular. Terminals are mostly flat and blunt, apertures are relatively small, and interior spaces are kept tight, producing dense color in text. The lowercase follows the same compressed logic with short ascenders/descenders and simplified, sturdy shapes, while figures are tall and compact to match the overall narrow set width.
Best suited to headlines and display settings where space is limited but impact is required, such as posters, packaging panels, labels, and condensed signage. It can also work for bold UI headers or badges where a compact, punchy voice is desirable.
The font projects a forceful, utilitarian tone—confident and attention-grabbing without ornament. Its compressed, blocky forms feel industrial and contemporary, suited to messages that need urgency or impact.
The design appears intended to deliver maximum density and emphasis in a narrow footprint, using squared-off, superelliptical curves and blunt terminals to maintain clarity and consistency. It prioritizes strong silhouette and compact word shapes for high-impact display typography.
Because counters and sidebearings are tight, the face reads darkest and most cohesive at larger sizes; in longer text it will build a strong texture quickly. The rounded-rectangle construction gives it a distinctive engineered feel compared with more neutral grotesques.