Typewriter Haty 6 is a regular weight, wide, low contrast, upright, normal x-height, monospaced font.
Keywords: posters, packaging, book covers, labels, editorial, retro, analog, utilitarian, quirky, worn, typewriter feel, analog texture, document tone, retro utility, stamped look, slab serif, blunt, inked, soft corners, mechanical.
A monospaced, slab‑serif design with compact, blocky letterforms and rounded, ink-trap-like corners that mimic stamped or typed impressions. Strokes are generally even with minimal contrast, and terminals are blunt with small flares that read as typewriter-style slabs. Curves (notably in O, C, and G) are slightly squarish, and joins show gentle swelling and irregularity that suggests ink spread or worn type. Counters are open and sturdy, producing a dark, steady texture in text while preserving clear character separation.
Well-suited for headlines and short-to-medium text where a typewritten, archival voice is desired, such as posters, book covers, packaging, and label-style graphics. In editorial layouts, it works best for pull quotes, sidebars, captions, or themed sections that benefit from a mechanical, retro texture. It also fits UI or coding-themed visuals when a more characterful monospaced look is needed.
The overall tone feels retro and analog, evoking typed paperwork, labels, and mechanical imprinting. Subtle roughness and softened edges add a human, slightly imperfect charm that reads as lived-in rather than purely technical. It balances utilitarian clarity with a quirky, handmade warmth.
The design appears intended to capture the feel of a mechanical type imprint—sturdy monospaced proportions, slabbed terminals, and slightly softened, imperfect edges—while remaining legible and consistent across a full alphanumeric set. The goal seems to be an authentic, analog texture that reads clearly in both display settings and functional, label-like applications.
The rhythm is strongly grid-bound, with consistent character width and a stable baseline that reinforces the mechanical feel. Uppercase forms are broad and emphatic, while lowercase maintains simple, workmanlike construction; the overall color is fairly dark, so generous tracking and line spacing help keep paragraphs from feeling heavy.