Sans Other Tewu 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, logotypes, gaming ui, futuristic, techno, cyberpunk, modular, geometric, sci-fi display, tech branding, interface aesthetic, constructed forms, angular, squared, sharp, stenciled, inline.
A sharply geometric sans with squared, rectilinear construction and frequent breaks in strokes that create a modular, segmented feel. Many glyphs incorporate an internal inline cut or doubled-stem effect—especially on verticals—producing a circuit-like rhythm and a high-contrast interior negative space without changing stroke thickness. Corners are predominantly hard and orthogonal, with occasional diagonal joins in forms like V, W, and Z that remain crisp and mechanical. Counters tend to be boxy and open, and several characters use intentionally simplified, stylized structures that prioritize pattern and repeatable parts over conventional typographic softness.
Best suited to display settings where its modular geometry can be appreciated: headlines, posters, event graphics, game or sci‑fi UI, and tech-forward branding. It can also work for short labels or packaging callouts when a futuristic, engineered tone is desired, while longer passages may benefit from generous sizing and spacing.
The overall tone is futuristic and technical, evoking digital displays, sci‑fi interfaces, and industrial labeling. Its segmented strokes and squared proportions give it a coded, machine-made personality with a slightly cryptic, cyber aesthetic.
The design appears intended to deliver a distinctive, constructed techno look by combining monoline strokes with deliberate segmentation and inline detailing. Its consistent rectilinear grammar suggests a focus on system-like repeatability and a strong visual signature for contemporary, interface-inspired typography.
In text, the repeated inline cuts and open joints create a strong horizontal texture that reads like a system of rails or traces. The more unconventional letterforms (notably in a few lowercase shapes) heighten the stylization and can reduce immediate familiarity, making the face feel more like a display alphabet than a neutral workhorse.