Sans Superellipse Madom 3 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Campione Neue' and 'Kensmark' by BoxTube Labs, 'Morgan Poster' by Feliciano, 'Tradesman' by Grype, 'Neuborn' by HIRO.std, 'Device' by Hanken Design Co., 'Pcast' by Jipatype, 'Goodland' by Swell Type, and 'TX Manifesto' by Typebox (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, industrial, playful, techy, posterish, compact impact, retro-tech voice, bold branding, space-saving display, rounded, squared, blocky, compact, stencil-like.
A compact, heavy sans built from rounded-rectangle geometry, with superelliptical corners and mostly uniform stroke weight. Counters are tight and often squared-off, and many joins are softened into rounded corners rather than sharp terminals. The proportions are condensed with short extenders, giving lines a dense rhythm; curved letters (C, G, S) feel more like softened boxes than true circles. Several glyphs show small notches and cut-ins at junctions (notably around arches and diagonals), adding a slightly engineered, semi-stencil flavor while keeping overall forms clean and solid.
Best suited for display settings where impact and texture matter: headlines, posters, branding marks, packaging, and bold signage. It also works for short UI labels or badges when set with generous size and spacing to preserve the tight apertures.
The overall tone is bold and assertive with a distinctly retro-technical feel, like arcade signage or utilitarian labeling rendered with friendly rounded corners. Its compact shapes and squared curves create an energetic, quirky voice that reads as both industrial and playful.
The design appears intended to deliver maximum visual weight in a condensed footprint while keeping a friendly, rounded-rect aesthetic. The subtle cut-ins and squared curves suggest a deliberate, engineered personality aimed at retro-tech and bold branding applications.
The font maintains strong consistency in corner radius and stroke thickness, which helps it hold together in large blocks of text. Because counters and apertures are narrow, it will appear darker and more compact as sizes get smaller, while the distinctive notches and squared curves become a defining feature at display sizes.