Sans Other Giha 2 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, branding, packaging, logos, playful, punchy, quirky, retro, cartoonish, impact, novelty, distinctiveness, display, soft corners, wedge cuts, ink traps, rounded bowls, chunky.
A heavy, display-oriented sans with large, rounded counters and blunt terminals. Strokes are mostly straight and blocky, but softened by generous curves and subtly irregular shaping, giving the letters a lively, cut-out feel. Many joins and terminals show small wedge-like cutouts and notch details that resemble ink-trap or stencil-inspired carving, creating distinctive internal negative shapes. The rhythm is tight and compact in text, with tall lowercase relative to capitals and simplified, high-impact numerals.
Best suited for headlines and short-form display text where its carved details and chunky forms can read clearly. It works well for playful branding, packaging, posters, and logo wordmarks, especially in contexts aiming for retro or pop energy. For longer passages, larger sizes and generous spacing help maintain clarity as the internal cutouts and tight rhythm become more pronounced.
The overall tone is bold and humorous, with a friendly, slightly mischievous personality. Its chunky geometry and carved notches evoke retro signage and playful editorial headlines rather than sober corporate typography. The texture reads energetic and attention-grabbing, suggesting a lighthearted, pop-inflected voice.
The design appears intended to deliver maximum impact with a distinctive, recognizable texture. By combining a straightforward sans foundation with repeated notch/ink-trap-like cuts and rounded counters, it aims to stand out in display settings and create a memorable, characterful voice.
The notch and wedge details are consistent across multiple letters and figures, becoming a defining motif that adds sparkle at large sizes but can thicken and close up in dense settings. Rounded forms like O, Q, a, e, and g emphasize big counters, while diagonals (V, W, X, Y, Z) keep a crisp, poster-like presence despite the soft overall shaping.