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Sans Superellipse Gereg 5 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'Newhouse DT' by DTP Types, 'Helvetica' by Linotype, 'Balbek' by Valentino Vergan, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, sports branding, posters, packaging, app promos, sporty, urgent, assertive, energetic, modern, impact, speed, space saving, modern branding, display emphasis, condensed, oblique, blocky, rounded corners, tight spacing.


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A heavy, tightly set sans with a pronounced forward slant and compact proportions. Strokes are thick and even, with rounded-rectangle (superelliptic) curves that keep counters smooth and enclosed, while terminals stay blunt and clean. The letterforms feel engineered and slightly squared-off, with a tall lowercase that reduces ascender/descender drama and emphasizes a strong midline. Numerals and capitals share the same compressed, forceful rhythm, creating dense word shapes with a consistent, high-impact texture.

Best suited for short, high-visibility settings such as headlines, sports and fitness branding, event posters, punchy packaging callouts, and promotional graphics where compact width and strong emphasis are advantages. It can also work for large, bold UI or social tiles where a condensed, slanted wordmark-like presence is desired.

The overall tone is fast, loud, and competitive, like lettering designed to convey motion and pressure. Its strong slant and dense blackness read as confident and aggressive, suited to messages that need to feel immediate and performance-driven.

This design appears intended to deliver maximum impact in minimal horizontal space while suggesting speed through its oblique stance. The rounded-rectangle construction and uniform stroke weight aim for a contemporary, engineered look that stays clean and consistent at display sizes.

The narrow set and bold massing create strong vertical columns and minimal interior whitespace, so text blocks appear dark and compact. Round characters (like O/C/G) keep a squarish, superelliptic contour, reinforcing a technical, industrial feel rather than a calligraphic one.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸