Sans Superellipse Dulim 9 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Fenton' by Fatih Güneş and 'MC Nathos' by Maulana Creative (names referenced only for comparison).
Keywords: ui labels, tech branding, headlines, posters, signage, techy, futuristic, clean, confident, retro-digital, systematic feel, digital clarity, distinctive geometry, modern utility, rounded corners, square-ish, geometric, stencil-like cuts, high legibility.
A geometric sans with a squared, rounded-rectangle construction and consistently rounded corners throughout. Strokes are even and smooth, with straight stems and gently curved joins that create superellipse-like bowls and counters. Many letters incorporate small, deliberate openings and notches (notably in forms like C, S, and some lowercase), giving the design a slightly segmented, engineered feel while keeping counters open and readable. Proportions are compact and orderly, with a crisp baseline and tidy spacing that supports both all-caps and mixed-case settings.
Works well for interface labeling, dashboards, product UI, and on-device typography where clean geometry and clear counters help at smaller sizes. The strong, structured silhouettes also suit headlines, posters, and tech-forward branding, especially where a futuristic or industrial voice is desired.
The overall tone is modern and technical, evoking sci‑fi interfaces, industrial labeling, and retro digital hardware. Its rounded geometry softens the mechanical structure, balancing precision with approachability. The notch details add a distinctive, system-like voice that feels purposeful rather than decorative.
The design appears intended to deliver a contemporary, engineered sans that reads cleanly while standing out through rounded-square construction and subtle, systematic cut-ins. It aims for a controlled, modular rhythm that feels at home in digital and technical contexts without becoming overly harsh.
Distinctive rounded-square forms show up strongly in O/0 and other closed shapes, while diagonals (V, W, X, Y) remain sturdy and uncluttered. Numerals follow the same rounded-rect logic for a cohesive alphanumeric texture, and the sample text shows stable rhythm with clear word shapes at display and medium sizes.