Sans Superellipse Dulod 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bunken Tech Sans' by Buntype (names referenced only for comparison).
Keywords: headlines, logos, posters, ui labels, signage, techy, futuristic, industrial, utilitarian, clean, geometric clarity, modern branding, systemic uniformity, display impact, interface utility, rounded corners, square forms, stencil-like, compact, boxy.
This typeface is built from rounded-rectangle and superellipse-like forms, producing squared counters and softly radiused outer corners. Strokes are consistently heavy with minimal contrast, and terminals are largely blunt, giving letters a cut, engineered feel. Curves tend to resolve into flattened arcs rather than perfect circles, while verticals and horizontals dominate the structure, especially in C, G, O, and the numerals. Spacing appears even and the overall rhythm is compact, with angular joins in diagonals (V, W, X) and simplified, geometric constructions throughout.
Best suited to display settings where a compact, high-impact sans is desired: branding marks, headlines, posters, and tech-forward packaging. It also works well for short UI labels, navigation, and signage-style text where its squared, rounded geometry communicates a modern, industrial clarity.
The overall tone reads as modern and technical, with a slightly retro-digital flavor. Its rounded-square geometry suggests interfaces, machinery labeling, and contemporary product design where clarity and impact are prioritized. The stout forms feel confident and functional rather than decorative.
The design intention appears to be a geometric, rounded-square sans that maintains strong legibility while projecting a distinctly technical, contemporary personality. By prioritizing consistent stroke weight, blunt terminals, and superellipse-driven curves, it aims to look robust and systematized across both letters and numerals.
Distinctive squared bowls and counters give strong shape recognition, particularly in characters like O/0 and D, which lean toward rounded-square silhouettes. The lowercase shows a straightforward, engineered construction with minimal calligraphic influence, and the numerals follow the same squarish logic for a cohesive, system-like set.