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Free for Commercial Use

Sans Other Agvi 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Faculty' by Device, 'Muller' and 'Muller Next' by Fontfabric, 'Allotrope' by Kostic, 'Fact' by ParaType, 'Sans Beam' by Stawix, and 'Eastman Condensed' and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, stickers, kids media, playful, chunky, quirky, hand-cut, retro, attention-grab, handmade feel, fun branding, retro display, blocky, angular, irregular, compact, bouncy.


Free for commercial use
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A heavy, block-based sans with irregular, hand-cut contours and subtly uneven sides that create a lively, wobbly silhouette. Strokes stay broadly consistent in thickness, while corners alternate between blunt flats and slightly rounded nicks, producing a carved, paper-cut feel. Proportions are compact with sturdy counters and short apertures, and the overall rhythm shows intentional inconsistency from glyph to glyph for character rather than strict geometric uniformity.

Best suited for short, high-impact copy such as headlines, posters, event graphics, packaging callouts, stickers, and playful branding. It performs well when space allows generous tracking and simple layouts, where the irregular contours can be appreciated without crowding.

The font reads bold and mischievous, with a crafted, DIY energy that feels informal and attention-grabbing. Its uneven edges and bouncy shapes suggest humor and spontaneity, leaning toward a retro cartoon or cutout-poster tone rather than a sleek contemporary voice.

Likely designed to deliver a bold display voice with handcrafted personality, mimicking cut-paper or carved-lettering shapes while remaining firmly sans in construction. The goal appears to be instant visual impact and a friendly, humorous tone rather than neutrality or long-form readability.

The texture of the outlines is the main feature: edges appear lightly faceted and not perfectly parallel, which adds charm at display sizes but can also make dense text feel busy. Numerals and capitals are especially stout and poster-like, reinforcing a strong headline presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸