Sans Superellipse Idran 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Gusto Black' by BA Graphics, 'Bulldog' by Club Type, 'Brown Pro' by Shinntype, 'Reznik' by The Northern Block, and 'Breuer Headline' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, retro, chunky, playful, impact, approachability, geometric clarity, display emphasis, retro flavor, rounded corners, blunt terminals, soft geometry, compact bowls, sturdy.
A heavy, geometric sans with softly rounded corners and an overall superellipse construction. Strokes are thick and even, with minimal modulation, producing dense, compact counters and sturdy silhouettes. Curves resolve into rounded-rectangle bowls, while joins stay broad and blunt, giving letters a solid, blocklike footprint. Spacing appears tight but controlled, and the lowercase is built with simple, single-storey forms and short, thick arms that keep the texture consistent at display sizes.
Best suited for bold display work where strong presence and quick recognition matter: headlines, posters, branding marks, packaging, and large-format signage. It can also work for short UI labels or section headers when a friendly, high-impact voice is desired, but its dense counters suggest avoiding long text at small sizes.
The tone is confident and approachable, combining a utilitarian, poster-ready weight with softened geometry that reads friendly rather than severe. Its chunky forms and rounded squareness evoke mid-century and sports/packaging vernacular, lending a lively, slightly retro character to headlines.
Likely designed to deliver maximum visual impact with a softened, geometric voice—pairing a strong, compact weight with rounded-superellipse shaping for an approachable, contemporary-retro feel in display typography.
The numerals match the letters’ dense, superelliptical rhythm, with wide, stable figures and rounded interior shapes. Diagonals (as in K, V, W, X, Y) are kept stout and simplified, reinforcing a uniform, impact-first texture across lines of text.