Sans Superellipse Idmul 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Sztos' by Machalski, and 'Blunt' by Miller Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, muscular, industrial, sporty, confident, modern, maximum impact, compact economy, modern utility, brand presence, blocky, compact, rounded corners, square-round, punchy.
A very heavy, compact sans with a squared, superellipse skeleton: rounded-rectangle bowls, blunt terminals, and corners softened just enough to keep the texture smooth. Strokes stay largely uniform, with broad verticals and tight interior counters that create a dense, poster-ready color. Curves are more rectangular than circular, and joins are crisp and decisive, giving the letterforms a sturdy, engineered feel. The lowercase is tall and sturdy with short extenders, and the numerals match the same blocky, rounded-square construction for a consistent rhythm across text and display sizes.
Best suited to headlines and large-scale typography where density and strength are assets: posters, title treatments, sports and fitness branding, bold packaging, and logo wordmarks. It can also work for short UI labels or signage when a compact, high-contrast-with-background look is needed, but its tight internal spaces suggest avoiding long passages at small sizes.
The overall tone is assertive and high-impact—more athletic and industrial than friendly. Its rounded-square geometry reads contemporary and utilitarian, with a confident, no-nonsense voice suited to bold messaging and strong brand presence.
The design appears intended to deliver maximum impact through a compact, superellipse-based geometry—combining the efficiency of squared forms with softened corners for a modern, versatile display voice. Consistent stroke weight and sturdy proportions prioritize clarity and power in bold settings.
Tight apertures and small counters become a defining feature at this weight, emphasizing mass and presence over delicacy. The punctuation and figures shown follow the same squared-round logic, helping maintain a unified, built-from-blocks impression in lines of text.