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Free for Commercial Use

Stencil Esla 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Geogrotesque Sharp' and 'Geogrotesque Stencil' by Emtype Foundry, 'EFCO Fairley' by Ephemera Fonts, and 'Boxed' and 'Boxed Round' by Tipo Pèpel (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, tactical, utilitarian, mechanical, authoritative, industrial flavor, stencil utility, high impact, label aesthetic, geometric, square, condensed, blocky, modular.


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A heavy, monoline display face built from squared, geometric forms with blunt terminals and tight inner counters. Stencil breaks appear consistently across rounds and joins, creating clear bridges in letters like O, C, G, S, and in several numerals. The overall construction feels modular and engineered, with compact apertures, minimal curve contrast, and a rhythm driven by vertical stems and sharp diagonals. Spacing reads sturdy and dense, and the lowercase maintains the same blocky architecture as the uppercase for a uniform texture in text.

Well-suited for posters, headlines, and branding where a rugged stencil look adds instant character. It also fits signage, product labels, and packaging that want an industrial or tactical cue, as well as logos and wordmarks that benefit from a compact, blocky silhouette.

The stencil interruptions and rigid geometry give the font an industrial, tactical tone—more equipment label than editorial voice. It suggests durability and functionality, with a no-nonsense, authoritative attitude that can feel military, workshop, or machinery-adjacent depending on context.

The likely intention is a modern stencil display face that prioritizes punchy silhouettes and dependable legibility in short bursts. Its consistent bridges and modular geometry aim to evoke fabricated markings—painted, cut, or stamped—while staying clean and contemporary.

The design relies on distinctive cut-ins and bridges to define character shapes, so it performs best when sizes and contrast keep those gaps clearly visible. The strong, squared silhouette creates high impact, but the tight counters can darken quickly in long passages, favoring short lines and bold typographic statements.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸