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Free for Commercial Use

Stencil Esfu 10 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Helsinki' by Ludwig Type, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, industrial, authoritative, tactical, utilitarian, retro, impact, compactness, marking, durability, texture, condensed, high-contrast, rigid, geometric, blocky.


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A condensed, heavy display face built from sturdy, mostly monoline strokes and simplified geometry. The forms are constructed with consistent stencil breaks that create vertical and horizontal bridges through bowls and stems, producing clear internal apertures and strong negative-space patterning. Curves are tightened into near-geometric arcs, terminals are blunt, and diagonals are sharp and steady, giving the design a disciplined, engineered rhythm across letters and numerals.

This font is well suited to posters, headlines, labels, and signage where a compact, high-impact word shape is needed. It works especially well for branding and packaging that aims for an industrial or utilitarian aesthetic, and for short bursts of text where the stencil texture can be a feature rather than a distraction.

The overall tone is industrial and command-like, with a practical, no-nonsense presence. The repeating stencil interruptions add a tactical, marked-equipment feel while keeping the voice bold and graphic.

The design appears intended to deliver maximum punch in a tight width while maintaining the recognizable stencil construction used in marking, labeling, and functional display typography. Its consistent breaks and sturdy stroke weight suggest an emphasis on clarity, repeatable patterning, and strong graphic presence.

The stencil joins are prominent enough to read as a core stylistic device, not incidental ink traps, and they create a distinctive striped texture in running text. The condensed proportions and strong vertical emphasis make the face feel compact and forceful, especially in all-caps settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸