Sans Normal Arreg 15 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'DuGrotesk' by Dutype Foundry and 'Binoma' by Eko Bimantara (names referenced only for comparison).
Keywords: ui text, editorial, branding, signage, presentations, clean, modern, neutral, friendly, technical, clarity, versatility, legibility, system design, neutrality, monolinear, open apertures, rounded terminals, geometric, crisp.
This typeface presents a monolinear, geometric sans construction with smooth circular bowls and straight-sided stems. Curves are clean and evenly tensioned, while joins stay crisp and uncomplicated, creating a steady, uncluttered rhythm. Counters are generally open and generous, aiding clarity in letters like C, G, e, and s. The lowercase shows a straightforward, workmanlike skeleton with compact, rounded forms and simple terminals, and the figures follow the same clear, contemporary logic with uniform stroke behavior.
It suits UI and product typography, dashboards, and documentation where clean shapes and consistent rhythm support scanning. It can also work well for general editorial layouts and presentations, and for straightforward branding systems that prioritize clarity over ornament. The orderly capitals and numerals make it a solid option for labels, wayfinding-style headlines, and information graphics.
Overall, the tone is modern and restrained, communicating clarity and practicality rather than personality-forward expressiveness. The rounded geometry adds a mild friendliness, but the finish remains professional and system-like, suitable for information-first typography.
The design appears intended as a versatile, general-purpose sans with a geometric backbone and a calm, contemporary voice. Its consistent stroke logic and open counters suggest an emphasis on legibility and dependable performance across both short headlines and longer passages.
Across the alphabet and sample text, the design maintains consistent stroke endings and curvature, producing a cohesive texture in paragraphs. The numerals and capitals feel especially orderly and signage-ready, while the lowercase keeps a readable, everyday neutrality that supports continuous reading.