Sans Superellipse Esmul 2 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, branding, posters, sports, interfaces, sporty, dynamic, techy, futuristic, confident, convey motion, modernize tone, brand distinctiveness, geometric clarity, superelliptic, rounded, oblique, streamlined, geometric.
A slanted geometric sans built from rounded-rectangle (superelliptic) curves and crisply cut terminals. Strokes stay fairly even, with smooth, broad curves in bowls and counters paired with angled joins and decisive diagonals. The lowercase shows compact, single-storey forms (notably a and g) and squared-off curves that give the rhythm a tight, engineered feel. Figures and capitals share the same aerodynamic stance, with open shapes and clean spacing that hold up well at display sizes.
Well-suited to headlines, branding, and poster typography where its slant and superelliptic forms read as speed and modernity. It can also work for UI labels, product names, and short bursts of text that benefit from a clean but characterful geometric voice. For longer passages, it will be most effective at larger sizes where the distinctive rounded-rect geometry remains clear.
The overall tone is fast and purposeful, with a sporty, forward-leaning energy. Its rounded geometry keeps it friendly, while the sharp cuts and consistent slant add a technical, performance-oriented edge. The result feels contemporary and slightly futuristic without becoming decorative.
The font appears designed to blend geometric clarity with a sense of motion, using a consistent oblique stance and superelliptic construction to create an aerodynamic, contemporary sans. Its forms prioritize clean reproduction and a recognizable silhouette, aiming for versatility across tech, sport, and modern brand contexts.
The design emphasizes rounded corners and squarish curves, producing distinctive “boxy-round” bowls in letters like O, Q, and e. Diagonals and terminals appear intentionally clipped rather than tapered, reinforcing a constructed, modernist voice. The italic angle is pronounced enough to read as motion, especially in all-caps settings.