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Free for Commercial Use

Slab Square Pydy 12 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'DXEgyptian Fett' by DXTypefoundry, 'Handmade Roman JNL' by Jeff Levine, 'Denso Serif' by Monotype, 'Ganges Slab' by ROHH, 'Bokarms Slab' by SMZ Design, 'Gravtrac' by Typodermic, 'Clarendon Jordan' by Wooden Type Fonts, and 'MPI No. 507' by mpressInteractive (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, western, circus, vintage, bold, playful, display impact, retro styling, poster lettering, compact headlines, blocky, condensed, bracketed, chunky, high-impact.


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This typeface is a heavy, condensed serif with prominent slab-like serifs and mostly flat, squared terminals. Strokes are thick with a modest amount of contrast, and the forms stay upright with a strong vertical rhythm. Serifs appear sturdy and slightly tapered/bracketed in places, giving the letters a carved, poster-like solidity rather than a crisp geometric feel. Counters are relatively tight and the overall texture is dark and compact, with some idiosyncratic shaping in curves and joins that adds character at display sizes.

Best suited to headlines and short bursts of text where maximum impact is needed, such as posters, storefront or event signage, and bold brand wordmarks. It can also work well on packaging and labels that aim for a retro or Americana flavor, especially when set large with comfortable tracking.

The tone reads as vintage and showman-like, evoking old posters, fairground signage, and Western or circus-era display typography. Its dense weight and compact width convey confidence and punch, while the slightly quirky details keep it from feeling strictly formal.

The design appears intended as a high-impact display face that channels historic slab-serif poster lettering, prioritizing visual punch, compact fit, and a distinctive, characterful silhouette.

Round letters such as O/C and the numerals show subtly sculpted curves that contrast with the squared serifs, creating a distinctive mixture of blockiness and softness. The glyphs maintain consistent heft across the set, supporting strong headline presence, while smaller details (like terminals and joins) benefit from generous sizing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸