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Free for Commercial Use

Serif Other Toba 4 is a bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe and 'Bebas Neue' by Dharma Type (names referenced only for comparison).

Keywords: posters, headlines, titles, branding, packaging, victorian, theatrical, old-timey, western, authoritative, space-saving impact, heritage tone, display emphasis, poster tradition, bracketed, high-waisted, compressed, vertical, ink-trap-like.


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A tightly compressed serif design with tall, vertical proportions and strongly bracketed wedge-like serifs that flare from narrow stems. Strokes show clear modulation, with pronounced thick verticals and slimmer joins, creating a sturdy but slightly ornamental rhythm. Many forms have high-waisted bowls and narrow apertures, and several joins show small notches or triangular cut-ins that read like subtle ink-trap detailing. The overall texture is dense and dark, with compact counters and a distinctly vertical, poster-oriented stance.

Best suited to display sizes where its condensed width and dark color can deliver strong impact—posters, headlines, mastheads, and title treatments. It can work well for branding and packaging that aims for a heritage or theatrical tone, especially where space is tight but presence is needed.

The font conveys a vintage, stage-poster sensibility—confident, slightly dramatic, and rooted in traditional display typography. Its condensed build and emphatic serifs give it an authoritative, headline-forward voice with a touch of period character.

The design appears intended to deliver maximum emphasis in narrow measure: a compact, high-contrast serif with sturdy verticals and decorative bracketing that evokes historical display lettering. Its consistent compression and strong serif shaping suggest a focus on attention-grabbing editorial and poster typography.

Capitals maintain a consistent, compressed silhouette, while lowercase forms keep a compact, sturdy structure that remains legible but favors impact over openness. Numerals follow the same narrow, weighty construction, matching the uppercase color and making mixed alphanumeric settings feel unified. The design’s internal notches and sharp terminals add personality without turning into full-on novelty.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸