Sans Superellipse Esmig 4 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Baksheesh' by HamburgerFonts, 'Neusa Neu' by Inhouse Type, and 'Pulse JP' by jpFonts (names referenced only for comparison).
Keywords: ui labels, app design, product branding, wayfinding, dashboards, modern, technical, efficient, clean, dynamic, modernization, clarity, speed cue, system coherence, brand utility, rounded corners, oblique stress, squared curves, geometric, crisp.
This typeface is an oblique sans with a geometric construction and distinctly rounded-rectangle (superelliptical) curves. Strokes are even and monolinear, with smooth, squared-off rounds in letters like C, G, O, and Q, creating a streamlined, engineered feel. Terminals are clean and mostly straight, counters are open, and curves transition with controlled radii rather than fully circular bowls. The overall rhythm is compact and tidy, with consistent spacing and a forward slant that emphasizes motion and clarity in both uppercase and lowercase.
It suits interface typography, product and tech branding, dashboards, and informational layouts where a modern oblique voice is desired without sacrificing legibility. The geometric, rounded-square curves also work well for signage-like headings, short marketing lines, and compact display settings that benefit from a sleek, forward-leaning emphasis.
The tone reads contemporary and pragmatic, with a subtle sporty/technical edge from the slant and the rounded-square geometry. It feels confident and utilitarian rather than decorative, projecting speed, precision, and a product-focused cleanliness.
The design appears intended to combine a clean, contemporary sans foundation with superelliptical rounding and an oblique stance to suggest speed and precision. Its consistent stroke behavior and controlled geometry point to an aim of producing a cohesive, system-like texture for modern digital and product contexts.
Uppercase forms lean toward wide, stable silhouettes with softened corners, while lowercase keeps a simple, functional structure with single-storey shapes where applicable (notably the a). Numerals follow the same rounded-square logic, staying legible and uniform in texture alongside text settings.