Sans Normal Kulis 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Rabon Grotesk' by 38-lineart, 'Dexperdy' and 'Neo Namoni' by Differentialtype, 'Mollen' by Eko Bimantara, 'EquipCondensed' by Hoftype, 'Glimp' by OneSevenPointFive, and 'Aago' by Positype (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, assertive, energetic, modern, dynamic, impact, motion, display, clarity, modernity, oblique, geometric, compact, clean, rounded.
This typeface presents as a heavy, oblique sans with compact, geometric construction and smooth, rounded curves. Strokes stay largely even, with sturdy terminals and minimal modulation, giving letters a dense, high-impact texture. Counters are relatively tight in letters like a, e, and g, while circular forms such as O and Q feel clean and symmetrical; the Q uses a clear, straightforward tail. The lowercase uses a single-storey a and a single-storey g, with a simple, functional ear and open joins that maintain clarity despite the weight. Numerals are robust and rounded, with the 2 and 3 showing broad curves and the 0 reading as an oval with consistent thickness.
It suits short, attention-grabbing settings such as headlines, poster typography, sports or event graphics, and bold brand marks. It can also work in packaging or promotional copy where a compact, high-contrast-in-size texture is desirable, especially at medium-to-large sizes.
The overall tone is forceful and forward-leaning, conveying motion and urgency. Its slanted stance and dense color give it a sporty, headline-ready attitude, while the clean geometry keeps it contemporary rather than decorative.
The design intention reads as a modern, impact-oriented oblique sans built to project speed and confidence. Its geometric forms and sturdy stroke weight prioritize immediacy and clarity in display use while keeping the letterforms straightforward and utilitarian.
Spacing appears moderately tight in text, creating a continuous, energetic rhythm across lines. The oblique angle is consistent across capitals, lowercase, and figures, supporting a unified, purposeful voice.